His paintings of young women are unusual for their uncanny realism and psychologically engaging presence. This is achieved by Ozeri’s using both still photography and video in their initial stages, and painting the final works with thousands of tiny brushstrokes which animate the paintings’ surfaces.
Ozeri begins his process for these paintings by bringing a photographic crew to diverse landscapes in which he places the young women within the final composition in order to get precisely the results he is seeking. After choosing among the resulting images, he takes these and begins the painting process. The results are cinematic portraits of almost photographic realism. Their carefully staged, conceptual installations reflect the high-definition realism that today pervades media including television and movies; while their almost invisible brushstrokes, in the manner of traditional trompe l’oeil painting, play on concepts of perception and illusion.
Yigal Ozeri has exhibited extensively throughout Israel, Europe and the United States, and his work can be found in many prominent collections, including Tel Aviv Museum of Art, Israel; Albertina Museum, Vienna; Scheringa Museum of Realist Art, Netherlands; Hudson Valley Center for Contemporary Art, Westchester; Kennedy Center for the Arts, Washington DC; McNay Art Museum, San Antonio; Nerman Museum, Kansas City; and The Jewish Museum, New York. The artist lives and works in New York City.