Choi Nga Sze, Angie’s ceramic reliefs show individual cars heading into the unknown fearlessly, exploring the future’s possibilities. The vibrant colours used in the work convey a sense of energy and optimism, as the simplified yet dynamic rendering of the vehicles suggests a spirit of adventure and discovery.
Gordon Chi perceives a world that exists in a delicate balance between 70% reality and 30% abstraction. The distribution of materials in his painting functions as a profound exploration of the interplay between the tangible and the ethereal. By meticulously incorporating desert sand and epoxy into his paintings, he creates a layered dialogue that invites viewers to reflect on their perceptions of reality and abstraction.
Keng Chieh-Sheng, Jason’s “Body Data Series” originates from his experimentation with wood, involving a variety of techniques and materials. This series attempts to break through the inherent form and nature of the material, exploring through the process of stripping wood blocks into thin slices, from one to many, from hard to soft, from individual to collective. Through this innovative process, Keng invites viewers to reconsider the physical and conceptual boundaries of wood as a medium.
Ling Wai Shan, Heidi’s paintings delves into the concept of containers through her evocative paintings, utilizing motifs such as boats, bowls, eyes and water. Each element represents a vessel, both literally and metaphorically, inviting viewers to contemplate the complexities of containment in an increasingly fluid and transient world. The transparency represents the intangible and infinity of the fleeting nature, reflecting the discomfort and contradictions of navigating this era.
Lui Yan Yi, Mindy’s “Vanish” series examines the allure of magic shows, where audiences are captivated by hidden secrets. Through her drawings, she depicts the original packaging of a red ball—a magic prop—while the ball itself is absent. By omitting text and image guides, her work maintains the mystery, inviting viewers to engage with the enigma.
Joyce Mak’s work is rooted in an obsession with liminal spaces—those thresholds that exist between the familiar and the unknown. She articulates her visual imagery through the use of watercolours, soft pastels and coloured pencils. Her work frequently incorporates repetitive layering of these mediums, highlighting the nuanced interplay between the unpredictability of time and the serendipitous facets of life.
Wong Kit Man, Mandy’s paintings depict the blurred view from double-decker buses, stirring memories of Hong Kong in a foreign land, blending familiarity and unfamiliarity to reveal a connection that bridges distance and longing.
"The Weight of Stillness" is not only a celebration of artistic expression but also a call to action. In our fast-paced lives, the idea of stillness can seem elusive, yet it holds a transformative power. By pausing for a moment to take a deep breath, to observe and to connect with our surroundings, we can cultivate a deeper understanding of ourselves and our communities. This exhibition hopes to inspire conversations that transcend the gallery walls, urging us to envision a future built on empathy, understanding and shared responsibility. Together, we can cultivate a space where art serves as a catalyst for change, inspiring us to shape a world that embodies our values and aspirations.
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