Open Walls (Brick), 2009
Trained in both classical Chinese calligraphy and painting and the theories of Abstract Expressionism, drawn equally by her ancient Chinese heritage and the techniques of modernism, Shan Shan epitomizes the complex situation of the modern Chinese artist. However, choosing to view the many diverse influences on her art as benefits rather than burdens, Sheng has used the conflict between tradition and modernity, East and West, to enrich her artistic style. As a visual artist, Sheng’s works often focuses on enhancing the audience’s experience, creating a unique style in between the historical and contemporary moments.
Sheng went on to expand her repertoire from painting to other media. She is the first Chinese artist to work on the island of Murano, in Venice, the most famous centre for the creation of art glass in the world. She created a collection of exceptional glass sculptures that are the result of the 1000-year-old tradition of Venetian glass making combined with the inspiration of 5000 years of Chinese civilization and the influence of Western Abstract Expressionism. Again, Sheng has shown courage and vision in developing her unique style. Her later works link to Venetian- made glass sculpture. Ocean, Earth, the Bronze Age and Digital Age are all motifs which she continues to explore. Drawing upon nature and ideas
more specific to civilization, she constantly seeks to engage in a dialogue with the world around her.